Из сборника лекций Лайонела Триллинга «Искренность и подлинность»
Что значит быть собой — и почему стремление к подлинности легко превращается в очередную форму конформизма? Публикуем фрагмент лекций американского литературного критика Лайонела Триллинга, посвященных тонкому вопросу искренности.
Mat Callahan - The Explosion of Deferred Dreams: Musical Renaissance and Social Revolution in San Francisco, 1965–1975
As the fiftieth anniversary of the Summer of Love floods the media with debates over morals, music, and political movements; celebrations of “flower power,” “acid rock,” and “hippies;” The Explosion of Deferred Dreams offers a critical re-examination of the interwoven political and musical happenings in San Francisco in the Sixties. Author, musician, and native San Franciscan Mat Callahan explores the dynamic links between the Black Panthers and Sly and the Family Stone, the United Farmworkers and Santana, the Indian Occupation of Alcatraz and the San Francisco Mime Troupe, and the New Left and the counterculture. Callahan’s meticulous, impassioned arguments both expose and reframe the political and social context for the San Francisco Sound and the vibrant subcultural uprisings with which it is associated. Using dozens of original interviews, primary sources, and personal experiences, the author shows how the intense interplay of artistic and political movements put San Francisco, briefly, in the forefront of a worldwide revolutionary upsurge. A must-read for any musician, historian, or person who "was there" (or longed to have been), this book is substantive and provocative, inviting us to reinvigorate our historical sense-making of an era that assumes a mythic role in the contemporary American zeitgeist.
Sarah Sarzynski - Revolution in the Terra do Sol: The Cold War in Brazil
Sarah Sarzynski's cultural history of Cold War–era Brazil examines the influence of revolutionary social movements in Northeastern Brazil during the lead-up to the 1964 coup that would bring the military to power for 21 years. Rural social movements that unfolded in the Northeast beginning in the 1950s inspired Brazilian and international filmmakers, intellectuals, politicians, and journalists to envision a potential social revolution in Brazil. But in the wake of the Cuban Revolution, the strength of rural social movements also raised fears about the threat of communism and hemispheric security. Turning to sources including Cinema Novo films, biographies, chapbook literature, and materials from U.S. and Brazilian government archives, Sarzynski shows how representations of the Northeast depended on persistent stereotypes depicting the region as backward, impoverished, and violent. By late March 1964, Brazilian Armed Forces faced little resistance when overthrowing democratically elected leaders in part because of the widely held belief that the violence and chaos in the 'backward' Northeast threatened the modern Brazilian nation. Sarzynski's cultural history recasts conventional narratives of the Cold War in Brazil, showing how local struggles over land reform and rural workers rights were part of broader ideological debates over capitalism and communism, Third World independence, and modernization on a global scale.
О книге «Наши товарищи или мелкобуржуазные мистики? Восприятие сюрреализма в СССР в 1920–1930-е годы»
Деятелям европейского левого авангарда долгое время свойственно было возлагать на СССР как на страну победившей революции преувеличенные надежды, а советский официоз воротил от их идей нос, но видел в них самих пользу как в возмутителях спокойствия на буржуазном Западе. Как в действительности воспринимался сюрреализм изнутри раннесоветского государства и как это отношение окончательно сменилось на враждебное, рассказывает книга Данилы Люкшина, изданная недавно Музеем «Гараж».