Thomas Waller - The long farewell
Review of T.J. Clark, Those Passions: On Art and Politics(2025)
In the introduction to Farewell to an Idea (1999), T.J. Clark imagined modernism as a vast historical ruin, one whose forms of representation seem unreadable to us now, but only because we have come to inhabit the future they prophesied. On this model, the critic of modernist art would be a kind of intrepid archaeologist, rummaging through the ciphered remains of some forgotten civilisation, suffused with ways of living alien to their own. Those Passions is Clark’s latest attempt to decipher that ruin, to excavate those lost signs. Divided into three parts ‘Precursors’, ‘Moderns’, ‘Modernities’ it anthologises material written over the past twenty-five years for exhibition catalogues, essay collections, academic journals and the London Review of Books. The anthological form of the book mirrors the fragmentary character of many of its objects, imitating the dialectic that its final chapter finds in Picasso’s Guernica: a disconnectedness held in unity. By revisiting some of the most important names in the painting of modern life from Bosch to Malevich, Ensor to Richter, Delacroix to Pollock Clark’s tour de force interpretations mount a firm but chary defence of art’s ability to register political realities in ways that refuse transcendence yet surpass mere reflection. A quarter of a century since his fin-de-siècle masterwork Farewell to an Idea, Clark has returned once more to the modernist dig, unearthing an art-critical history of the present to make the stones speak.
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