Pierre Bourdieu is arguably the most influential sociologist of the twentieth century, especially since the once common criticisms of his determinism and reproductionism have receded. Now, however, his intellectual enterprise faces a new set of challenges unearthed by decades of sympathetic research: how to conceive the relationship between society and place, particularly in an increasingly global world; how to recognize the individual as a product of multiple forces and pressures; how to make sense of family relations and gender domination; and, ultimately, how to grasp how we each come to be the unique beings we are.
This book tackles these challenges head on, starting from the philosophical core of Bourdieu's sociology and taking in hints and suggestions across his corpus, to propose a range of novel concepts and arguments. In the process it outlines a new way of looking at the world to complement Bourdieu's own – one in which the focus is on the multiple social structures shaping individuals' everyday lives, not the multiple individuals comprising a single social structure.
From the mid-1950s onwards, the rise of television as a mass medium took place in many East and West European countries. As the most influential mass medium of the Cold War, television triggered new practices of consumption and media production, and of communication and exchange on both sides of the Iron Curtain. This volume leans on the long-neglected fact that, even during the Cold War era, television could easily become a cross-border matter. As such, it brings together transnational perspectives on convergence zones, observations, collaborations, circulations and interdependencies between Eastern and Western television. In particular, the authors provide empirical ground to include socialist television within a European and global media history. Historians and media, cultural and literary scholars take interdisciplinary perspectives to focus on structures, actors, flow, contents or the reception of cross-border television. Their contributions cover Albania, the CSSR, the GDR, Russia and the Soviet Union, Serbia, Slovenia and Yugoslavia, thus complementing Western-dominated perspectives on Cold War mass media with a specific focus on the spaces and actors of East European communication. Last but not least, the volume takes a long-term perspective crossing the fall of the Iron Curtain, as many trends of the post-socialist period are linked to, or pick up, socialist traditions.
Fredric Jameson - After Year Zero: On Postwar German Thought
In this series of accessible lectures, Fredric Jameson explores German philosophy and critical theory as it developed in the wake of World War Two. Focusing on key thinkers Horkheimer, Adorno, Heidegger, Habermas, Marcuse, Beuys, Enzensberger, Kluge, and Sloterdijk Jameson weaves close readings of texts with anecdotes and aperçus to craft a narrative about the uses of theory. He delves into world-historical phenomena, such as the legacy of Nazism and the formation of the European Union, in a story that stretches from the postwar division of Germany to its reunification at the end of the Cold War.
Mark Fenemore - Sex, Thugs and Rock 'n' Roll: Teenage Rebels in Cold-War East Germany
A fascinating and highly readable account of what it was like to be young and hip, growing up in East Germany in the 1950s and 1960s. Living on the frontline of the Cold War, young people were subject to a number of competing influences. For young men from the working class, in particular, a conflict developed between the culture they inherited from their parents and the new official culture taught in schools. Merging with street gangs, new youth cultures took shape, which challenged authority and provided an alternative vision of modernity. Taking their fashion cues, music and icons from the West, they rapidly came into conflict with a didactic and highly controlling party-state. Charting the clashes which occurred between teenage rebels and the authorities, the book explores what happened when gender, sexuality, Nazism, communism and rock 'n' roll collided during a period, which also saw the building of the Berlin Wall.